"Fire & Ice Aspens"
watercolor, gouche, pen on paper
11 x 15 inch; October 2016

Need something to cheer you up? How about this sunny encaustic and my aspens changing their colors. This 30x18 inch encaustic painting is called "Same Wavelength" and is part of my upcoming show, "Under the Same Sky" opening at Gallery MAR November 25th, 2016.

Fall just seems to keep going and going. The leaves are done at our cabin above 8,000 feet, but they are still going off lower down in town. Here is a picture from a gorgeous grove we rode through this week.

For Inktober, I've been playing in my sketchbook with some fun results, like this snowy pine tree landscape. It took some time, and my hand was cramped up afterwords, but I was really pleased with the results.

We've been getting a few little snows this fall, which has been strikingly beautiful with our changing aspens. These orange and gold aspens made me think of fire and ice and inspired me to paint them in my sketchbook. Which do you like better - real life or the art?

My new show opens the day after Thanksgiving, November 25th, at Gallery MAR here in Park City, Utah. I am so excited about the new work and feel like I've tapped into something new this fall and I cannot wait to share it with you all. Here is a sneak peak of my largest painting for the show, which is titled, "Under the Same Sky," and is also the name for my show.

This year has been challenging - the news, the politics, global catastrophes, disasters. It feels scary a lot of the time, but we're going through the same mess. We are in it together and living under the same sky. Rather than spend time discussing our differences, I hope we can focus on our similarities and work together to make a stronger, better world. And rather than get sucked into the 24 hour news cycle, let's spend time collaborating, making art, being with friends and family, and enjoying this beautiful world we all inhabit. And just like the trees in the forest, let's work together to create a strong, stable, healthy, uplifting ecosystem that we can all enjoy.

Yesterday on our way home from St. George, I made matt take a detour into the Fish Lake National Forest to go find Pando, the world's largest living organism. It's a giant aspen grove and I was hoping it would be changing colors for the fall. We were in luck, as it was at its peak and perfectly golden.

We were unsure if we actually found it, but I think all the trees to the SW of the lake were it. Sadly scientists think Pando is dying from disease and infestation. Restoration is ongoing to encourage new sucklings to grow and flourish.

Located in the Fish Lake Basin in Central Utah, Pando is a giant clone of roughly 50,000 trees. Spread over about 106 acres to the SW of Fish Lake, the aspen stand all shares the same DNA and weighs nearly 13 million pounds.

Pando was named for the Latin Word that means "I Spread." The single organism is thought to be 80,000 years old or even older, and started from a single seed that spread by sending out new shoots to expands its root system.

The only way to know for sure you're in Pando is to see this fence and sign near some young and baby aspens. Then fence was put up by foresters and researchers in hopes of protecting new sucklings from being eaten by deer, elk and cattle, so they could have a chance to grow into mature, healthy trees. Pando is located 1 mile southwest of Fish Lake on Highway 25 in central Utah.
One of the best parts of my job is that I get to be out in nature. And when it is stormy out, I go fog hunting. This is where I get my inspiration from - when the clouds surround the mountains, when the fog drapes over the trees and when the rain washes the hills. It may seem nasty to go out during inclement weather, but it's really quite magical.

I sure do love seeing my artwork in people's homes. A big thanks to Gallery MAR for this perfect placements in a new Park City condo. I hope the new owners dream of adventure while sitting down at their dining room table to eat.
I'm gonna blame it on the very dry August, because Fall has started early. Looking back at my Instagram photos from last year, I took my first #fall picture on September 11th, 2015. This year's first fall photo happened on Monday, August 29th, 2016 - almost 2 weeks early. Fall is beautiful, don't get me wrong, but every year I dread the leaves falling from the trees and the temperature dropping. Call me a summer girl I guess, but I can't but help to be sad right now. I'm sure I'll come around when everything is in its full golden glory.
This week I started working on my newest show, which will open the day after Thanksgiving at Gallery MAR here in Park City. I'll have 18 new paintings to share with you by the end of November, so I'll be here cranking away in the studio. After a great summer of playing, I am excited to be getting down to business. Follow along with my adventures over on Instagram if you're curious about more of the behind the scenes action, where I get my inspiration, and maybe even some sneak peaks of the work that will soon be available. The above watercolor is a study for a large diptych that I'm currently working on.

As for now, I think the show will be titled 'Stronger Together.' After my experiences at Legendeer this summer and working with so many fabulous artists, I've realized that being part of a community makes us better. The show is also an exploration of how, if we work together, just like the forests do, we will all be stronger and better off. That's it for now, I'll have more to share about that as the fall goes on and I get further into the work.

At the end of July, I spent a week in Canada as part of the 2016 Legendeer Expedition and Workshop. I found out about Legendeer right before their 2015 workshop and was so sad to miss it, and so I was determined to make this one. Legendeer was started by artist and illustrator, Sterling Hundley, the freaking nicest man you will ever meet. His goal was to help artists live out their best story, make awesome art and then share it with the world. What I knew about it beforehand was that a whole bunch of artists (painters, photographers, filmmakers, writers and many more) got together in an amazing place, learned from some fantastic instructors, and made art in the woods. Sounds great, right? This all, in fact, did happen on our expedition, but it was so much more than that.

We began our trip in Calgary, where we started making new friends with our expedition group. There were 22 students, 6 mentors, and 2 guides. We headed West to Banff National Park where we camped for the next two days. I was immediately blown away by the size and beauty of the landscape. Our first excursion was to Johnston Canyon, which features a catwalk that runs through the canyon allowing you to follow the water course more closely. As we walked, we talked and learned more about each other all while geaking out about art, pictures and fascinating details of the landscape.

The next day, half the crew went on a big hike to Lake Borgeau, while the rest of us opted for the more mellow stroll through the woods with more time for painting. We all delighted in this creek at the midway point and stopped here for about an hour to paint. By day 2, the conversations were already deep, insightful and encouraging. We still didn't know exactly what we were there to accomplish, but as a group, we were enjoying each other's company, going crazy about the landscape, and sharing tricks, tips and process of our art. I never knew hanging out with a group of artists in the woods could be this fun.

This is one page of my sketchbook from Day 2 on our hike. I recently added the color indigo to my travel watercolor palette and it has made a world of difference to my paintings. One of the important lessons I learned while on Legendeer was that a sketchbook is a tool. It is not a finished work of art and it does not have to be perfect. This is practice. This is so I can get paint or a sketch down quickly to remember it, express a feeling at that moment, record a thought, or try out new techniques. When you put all these practice pieces together, along with all the scribbles, doodles, and writing, it does become beautiful though. I now look fondly on this sketchbook as a time capsule. I don't need to buy souvenirs to take home to remember a place - I just need to look at this book and all the memories come flooding back.

On Day 3, we packed up from Banff and got into our vans to drive North to Jasper National Park. Along the way we stopped at Lake Louise to enjoy the infamous scenery. Sure everyone and their dog has their picture taken there (believe me, I've taken a picture of my dog here), but it is gorgeous. We all hiked up, some of us made it to the Lake Agnes Tea House, some of us made it to the Big Beehive and others just made it to the coffee shop. But we all had a delightful time, taking pictures, painting or drawing.

We also made a stop at Athabasca Glacier. This immense glacier, is not so immense as it once was having shrunk a great deal since the 1980s. There are markers along the walk up to it that show how far out the glacier toe once was. It's a 10 minute walk from where 1982 was until you actually can touch ice. Still, this picture doesn't do it justice in terms of size. It is massive, and this is just the very edge of the incredible Columbia Icefield behind it. I hope I can come back one day to do a glacier tour and be out on it.

Day 4 put us at Maligne Lake in Jasper National Park. You may have heard of this lake because of all the famous pictures of Spirit Island. I did not go to Spirit Island, instead I opted to take my little travel chair and park it on the shore and paint that snow clad mountain in the background. I painted for 3 hours and had the most delightful time. All the while, my fellow Legendeers were scampering about the lake, on canoe or foot, taking pictures, shooting video, painting, drawing or maybe even napping. By this point in the trip, we were all getting very little sleep, but we were so amped on everything we saw, that we were caught up in the excitement and went with the flow. Also this day, we saw lots of bears and baby bears, even a momma bear up a tree with her cub teaching him how to climb. They are so freaking cute and you want to grab them and squeeze them and never let them go. But don't do that. That's a very, very bad idea.

In the evenings, back at camp, we would sit around talking about our work, the directions we want to head, our problems, fears, and our dreams. We chatted with mentors, asking questions, pitching ideas and getting feedback. Over the course of the trip, I grew to love each and every person there. Sure they are all quirky - we're artists, of course we're quirky - but their passion, dedication, intelligence, and warm hearts made me appreciate them for who they were. Every single person on this trip is incredibly talented, but not one of them is pretentious. We became cheerleaders of each other's work, and even now that we've gone home, we're all communicating regularly, asking how things are going, and reminding each other of the excitement and stoke we had on the trip. This is my tribe and I'm so grateful to have found them.

On Day 5, we had to drive back to Calgary, but we made some lovely stops along the way at some brilliant blue lakes and waterfalls. Each stop was beautiful and made us wish we had another week to explore. Driving in Canada takes some time though - what looks like a little distance on the map, is really quite far. But car rides afforded us more time to chat with friends, and even a take quick nap or two. Here I am at Bow Lake in front of Bow Glacier. And yes, the water is in fact that blue - I didn't saturate it in post at all.

Upon returning to Calgary and the Alberta College of Art and Design, we managed this haphazard group shot, minus our instructors and mentors. A big thanks to our two intrepid guides, Veronika and Dimitri, for putting up with us, keeping us to a schedule (or at least trying), feeding us, taking us on great walks, and generally keeping us safe from bears. This motley crew here is my family now. We are all scattered around the globe at this point, but we are connected in spirit for sure and hopefully I will see you all again at the next Legendeer - if not the expedition, then definitely the workshop. 

For the two-day workshop back in Calgary, even more people arrived to take part in the lectures, break out sessions, and chances to talk with even more mentors and instructors. Workshops in funding, selling your art online, and mark making gave us tools to add to our quiver to help succeed in the art world. Meanwhile, talks about film, art, photography, film screenings and Q&As inspired us to go out into the world and make cool shit. I mean that's really the whole point of Legendeer, to equip artists with tools and inspiration to go make art in the world. Their tag line is to "Embed artists back into the world," - to make art a part of life, to engage others, and participate in the world, not just hide in your studio. This was an important lesson for me. Here, I'm getting my picture taken with one of the Legendeer founders and fine artist, Adam Paquette, as well as my art and adventure hero Jeremy Collins

One of the best activities of our workshop weekend was the spoken word exercise with Robalu Gibsun. Seriously check out this guy's work - amazing. He asked us to come up with a whole bunch of words randomly that we shouted out to him. He wrote all of them down - even words like "charismatic megafauna," "fuck it," and "bear jam." There were some good poetic words in there too. We all spent 5 minutes writing a paragraph, a poem, or a thought and then some of us got up to speak aloud and share. Considering most of us were visual artists, these spoken word pieces were exquisite, thoughtful, and conveyed so much emotion. Tears people, there were so many tears.

By the end of the week, I was pretty much exhausted, but it was all so incredible. We stayed up late each night hanging out with each other, and it was hard to go to bed and miss out on any potential fun or mind-bending conversations. But alas we had to say goodbye. There were tears there too. Gratefully, I didn't have to fly home the next day, but instead, Matt picked me up in Calgary with the camper and Cooper and we went back to Banff for 9 more days (more about that later).

I learned so much this week about myself, about other people, about artists, about art. I learned that the end result of a painting isn't exactly the point, but the process it took you to get there is pretty damn important. I learned I am doing great and I am exactly where I need to be. But I also learned where I want to go with it all, or at least the general direction. I learned community really fucking matters and that I should stop being an island. I learned I want to collaborate with people.

I learned art is important, especially now when things are scary, and hard, and changing so fast. We artists are the torch bearers, shining our light into dark corners; making difficult things easy, making easy things beautiful; showing what is, what was and what can be. We rehash, retell, relive, revive. I believe we can all be artists too. It is important to share your light with the world, no matter what your skill set is, no matter how bad you think you are, no matter if you don't know how. Legendeer taught me this. Our voice, perspective, and experiences make each of us unique and that means we do actually have something special and unlike anything else to share with the world.

If you are interested in learning more about Legendeer, check out their site as well as their Instagram feed @legendeer. No word yet on when or where next year's Legendeer will be, but I promise it will be epic. You can ask me about it too. Find me over on Instagram @bridgette_meinhold.
I'm in Banff at the 2016 Legendeer Expedition. I don't think I'm coming back. I love it here too much.
"All in Good Time"
54 x 36 in; July 2016
Encaustic + Milk Paint

So far so good. Sky is done, first layer of trees are on. Two more layers to go. This will be the biggest sunset sky I've done so far. Headed soon to a gallery near you! (If you live in Park City that is) #encausticpainting #encaustic#parkcityart #gallerymar#sunsetsareclicheforareason

Just sent this off "Standstill" to Vickers Collection in Aspen, CO. Loved how the sky turned out and it gave me some good ideas for future skies that I can't wait to try out. Happy trails little painting!
20 x 20 in; July 2016
Encaustic + Milk Paint
20 x 20 in; July 2016
Encaustic + Milk Paint
36 x 20 in; July 2016
Encaustic + Milk Paint
"Slip Away"
30 x 18 in; July 2016
Encaustic + Milk Paint
I am excited to be part of a new public art project in Park City - Dark Storefronts Inside Out. The project was originally created by Ted-prize winning French artist JR, and now makes its way to Park City as a way to celebrate local entrepreneurs as well as revitalize a part of town that needs some energy. I was one of over 100 locals who participated by getting our picture taken Bekah Stevens, an amazing photographer. The black and white images were printed and hung up in empty storefront windows out at Kimball Junction at Newpark. The exhibit opened this week and will be open until September 1st. Go check out the exhibit and maybe even see some friendly faces you know.

These are my kind of fireworks. Skyrockets are in bloom!
Opening July 15th at the Encaustic Art Institute in Santa Fe, a new show featuring 46 artists from the Encaustic Art in the 21st Century book will showcase the medium of encaustic art. I am pleased to not only be included in the book, but also included in the show. The encaustic only show will run from July 15th to August 7th and all the artwork is available for sale. An opening reception will take place on July 15th from 2-5 pm and some of the artists will be on hand to discuss their work. Sadly, I will not be making the trip, but wish for a beautiful show opening and a great attendance.

If you're interested, I am showing a piece called "High Time". It's a 30x17 inch painting with a reclaimed wood frame. I have been exploring higher contrast and saturation levels in my work this year and this is one of my most colorful paintings to date. The name, which could be construed for a trippy, pot-induced state, is more a reflection of the high saturation levels and the euphoria of being outdoors. For more information about the show or this piece, please contact the Encaustic Art Institute.
"Green Season"
30 x 18 in; June 2016
Encaustic + Milk Paint